Special features on this Criterion release include trailers and excerpts from a French television special about Ozu. Iâll be honest in saying Iâm not exactly sure what the makers were getting at during this last bit (how Ozuâs films fit with modern Japan? Apparently this is truer to how the film would have been processed, so I can only assume itâs correct, but it was admittedly a bit of a letdown initially. All supplements have been carried over from the previous DVD edition. What’s so resonant about this response is that we are made to realize that his words are both self-indulgent and true at one and the same time. Though the widower Shuhei (frequent Ozu leading man Chishu Ryu) has been living comfortably for years with his grown daughter, a series of events leads him to accept and encourage her marriage and departure from their home. but it brings the feature to a halt and doesnât add much. This week on the Criterion Channel, o…, New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray, Audio commentary featuring film scholar David Bordwell, author of, PLUS: Essays by critic Geoff Andrew and scholar Donald Richie. The Criterion Collection An Autumn Afternoon. On DVD, An Autumn Afternoon looked...fine. He serves as programmer at large for London’s BFI Southbank. Geoff Andrew is a film critic, programmer, and lecturer. Though the widower Shuhei (frequent Ozu leading man Chishu Ryu) has been living comfortably for years with his grown daughter, a series of events leads him to accept and encourage her marriage and departure from their home. The Dark Knight Trilogy Limited Edition Collection Set (Batman Begins / The Dark Kn... Flintstones 2-Movie Hanna-Barbera Cartoon DVD Collection: Fred Flintstone & Friends... To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. They focus in particular on his AN AUTUMN AFTERNOON (a.k.a. According to the (short but informative) booklet, the original title of this film means 'The taste of Sanma', where Sanma means mackerel pike. But in the end this IS the last work of Yasujiro Ozu's life. (The characters in Ozu’s later films tend to be rather more affluent than those in his earlier ones, reflecting the country’s changing fortunes.) These characters’ experiences and words of advice serve a number of functions: they flesh out and enrich the story; they provide the hesitant Hirayama with an array of options to consider; they show that his problems are common and far from extraordinary; and they ensure that we don’t identify or sympathize too simplistically with either Hirayama or his daughter. THE TASTE OF SAKE). It is typical in that, like all but his earliest pictures (which range from comedies about college life to gangster films, and which evince a little more clearly his movie fan’s love of Hollywood fare), it is a gentle domestic drama about middle-class family life, a shomin-geki characteristic of his home studio, Shochiku. Classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by the Criterion Collection. The hallmark elements of the style are, famously, the use of relatively short shots, taken with a mostly stationary camera from an unusually low angle in relation to the characters in frame; simple cuts rather than fades, wipes, or dissolves; montage sequences of landscapes and buildings not only to begin films but also to provide punctuation and linkages between narrative scenes; a preference for ultra-naturalistic, “everyday” dialogue, often of the most seemingly trivial kind; and a related preference for low-key, almost de-dramatized stories evocative of the “ordinary” lives of the middle class, who made up the major part both of Japan’s population and, presumably, of Ozu’s audience. An Autumn Afternoon comments obliquely on the legacy of the war: in one of the many bars Hirayama visits, different attitudes are expressed toward Japan’s defeat, while the preoccupations of Hirayama’s eldest son, Koichi, and his daughter-in-law, Akiko—playing golf, buying a fridge—indicate the increasing consumerism and Americanization of Japanese society. Reviewed in the United States on August 4, 2009, Recently made available on DVD. There is also more to it than that: An Autumn Afternoon is also about Shuhei turning a page in his small part in history, the closing chapters of a life that involved military service during World War II and settling into post-war, largely Westernized Japan. Tipsy after the wedding, reluctant to return to a house now bereft of his daughter, Hirayama takes solace in a bar, where the barmaid, noticing his black suit and, perhaps, his likewise dark mood, asks if he’s been to a funeral. As elegantly composed and achingly tender as any of the Japanese master's films, An Autumn Afternoon (Sanna no aji) is one of cinema s fondest farewells. More specifically, it belongs to a particular subgroup of these films whose central stories turn on the question of whether a young woman deemed of marrying age will wed or will remain at home to look after her widowed parent. Our favorite Finn didn’t have an easy time picking his ten favorite titles in the Criterion Collection. Go beyond the apparent simplicity of Ozu’s films and you will discover immense sophistication at play in their construction and meaning. Get it, find it, buy it, borrow it, see it. From 1999-2000, I taught English in the small seaside town of Togane, just southeast of Chiba City and an hour by express train from Tokyo. The last film by Yasujiro Ozu was also his final masterpiece, a gently heartbreaking story about a man’s dignifed resignation to life’s shifting currents and society’s modernization. It’s hard to imagine any charge of repetitiveness being made against, say, Monet or Miró, Shostakovich or Sibelius—nor, closer to home, against the likes of Hawks or Hitchcock, Almodóvar or Angelopoulos; there are immediately distinctive voices in all areas of creativity. I think it may be my favourite. Ozu’s films are usually laced with comedy, and here there’s much innuendo at the expense of Horie about his potency in the arms of his much younger wife. Harry Potter and the Half-Blood Prince (Two-Disc Special Edition). Obviously not for the action film set. It is the same - with a twist. Synopsis. His films are never operatic, always focused on people, closely observed, but there is something about the stillness of the camera that requests a reserved involvement from us that makes the films unique, and uniquely moving stories about the passage of time itself through families and relationships. During a pivotal time for Black cinema, John Berry’s beautifully lived-in drama offered a portrait of an African American family that stood in opposition to a long history of harmful stereotypes.
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