Hoochie Coochie Man: Complete Chess Masters, Volume 2 - 1952-1958, Hoochie Coochie Man: Complete Chess Masters (Vol.  These include "I Just Want to Make Love to You", "I'm Ready", and "I'm a Natural Born Lover". "Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954.  During an intermission, Dixon showed him the song.  Two takes of the song were recorded. Well, you know I'm the hoochie coochie man  Finally, in 1953, Chess used two of Dixon's songs: "Too Late", recorded by Little Walter, and "Third Degree", recorded by Eddie Boyd. Young Muddy WatersHolding his signature guitar. If you have ever seen Muddy then, the effect he had on women [was clear]. , For the second eight-bars of the progression, the song follows the standard I–IV–V7 structure, which maintains its connection to traditional blues. I’m Your Hoochie Coochie Man (Jeffrey Wright) 5. He gonna make pretty womens, jump an' shout  The song became Waters' first record chart success in nearly two years. A black cat's bone?  These include a black cat bone, a John the conqueror root, and a mojo, the last of which figured in "Louisiana Blues". Ted Gioia, Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music (2009)An accessible and thorough history of the original blues masters, including Muddy Waters, who came out of the Mississippi Delta to change the entire world of music. A mojo?  For the second eight bars, the song reverts to the last eight of the twelve-bar progression, which functions as a refrain or hook. , You know the gypsy woman told me that you your mother's bad luck child Muddy Waters on Rolling Stone's Top 100 Greatest ArtistsRead a tribute by Billy Gibbons, accompanied by a great portrait. Appearing in the late 19th century, the hoochie coochie was a sexually provocative dance. Giấy Chứng nhận Đăng ký Kinh doanh số 0305535715 do Sở kế hoạch và Đầu tư thành phố Hồ Chí Minh cấp ngày 01/03/2008. He gonna make pretty women jump and shout  He revisited the song with original guitarist Jimmy Rogers in 1977. We were building the arrangement, that's what we were really doing. He would be onstage and try it out, do a few licks of it. sfn error: no target: CITEREFPalmer1981 (, sfn error: no target: CITEREFCampbell2007 (, sfn error: no target: CITEREFDixonSnowden (, Live at the Checkerboard Lounge, Chicago 1981, "I m Your Hoochie Cooche Man (Legal Title) – BMI Work #668840", "Muddy Waters: (I'm Your) Hoochie Coochie Man – Song Review", "Muddy Waters: Hoochie Coochie Man – Appears On", "Muddy Waters: Mannish Boy – Song Review", "1984 Hall of Fame Inductees: I'm Your Hoochie Coochie Man — Muddy Waters (Chess, 1954)", "Grammy Hall of Fame Awards – Past Recipients", "Complete National Recording Registry Listing", Rollin' Stone: The Golden Anniversary Collection, https://en.wikipedia.org/w/index.php?title=Hoochie_Coochie_Man&oldid=979376927, United States National Recording Registry recordings, Short description is different from Wikidata, Pages using infobox song with unknown parameters, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 September 2020, at 11:31.  One of his first singles was "Gypsy Woman", recorded in 1947.  Waters, not to be outdone, responded two months later with an answer song to "I'm a Man", titled "Mannish Boy". Muddy, who got the name from his childhood penchant for tromping through the Mississippi Delta mud, was one of the first—and most brilliant—musicians to bring the blues north and plug in his guitar, changing the path of blues music forever. " By one account, it first appeared at the Philadelphia Centennial Exhibition in 1876 and was a popular attraction at the 1893 Chicago World's Fair. , Bo Diddley modified the song's signature riff for his March 1955 song "I'm a Man". Because this is what black people really believed in at that time ... even today [circa 1980], when you play the old blues like me, you can't get from around that.  According to Palmer, Dixon upped the ante with more "flamboyance, macho posturing, and extra-generous helping of hoodoo sensationalism".  Campbell identifies the opening as actually having "two competing riffs" or contrapuntal motion, with one played by Little Walter on an amplified harmonica and another by Waters on electric guitar.  Record producer Marshall Chess took a simpler view: "It was sex. The Blues Foundation and the Grammy Hall of Fame recognize the song for its influence in popular music and the US Library of Congress' National Recording Registry selected it for preservation in 2004. © 2020 Shmoop University Inc | All Rights Reserved | Privacy | Legal.  The fortune tellers would emphasize auspicious circumstances to enhance their earnings, especially when doing readings for pregnant women. Waters elaborated, "If such a thing as a mojo had've been good, you'd've had to go down to Louisiana to find one. Everybody knows I'm him  Although Palmer comments that the entire group phrases the riff in unison, Boone describes it as a "heavy, unhurried counterpoint by all the instruments together". , "This classic blues phrase would eventually work its way into the psyche of modern culture by being featured in musical genres from folk to rock and even children's songs as well as being used in television and radio commercials.".  The Rock and Roll Hall of Fame's list of the "500 Songs That Shaped Rock and Roll" recognizes the song's influence on rock. The Last Waltz (1978)An epic live show tagged as the last show by The Band includes performances by Muddy Waters, Bob Dylan, Eric Clapton, Joni Mitchell, Neil Young, and Emmylou Harris. , As numerous artists recorded it in a variety of styles, "Hoochie Coochie Man" became a blues standard.  It remained on the charts for 13 weeks, making it Waters' longest charting record up to that time (two more Waters-Dixon songs, "Just Make Love to Me (I Just Want to Make Love to You") and "Close to You", both later also lasted 13 weeks).  Although there are some moments in the alternate take when a player's timing rushes or drags perceptibly, because the band is so tight, the difference with the master is only six seconds (for a nearly three-minute song).  "Third Degree" became Dixon's first composition to enter the record charts.  At the time, Waters was performing at the Club Zanzibar in Chicago.  However, unlike the polyphony of New Orleans jazz, the instrumentation parallels Waters' aggressive vocal approach and reinforces the lyrics.  The single entered Billboard magazine's Rhythm & Blues Records charts on March 13, 1954, and reached number three on the Juke Box chart and number eight on the Best Seller chart. I [sic][h] got a boy child's comin', gonna be a son of a gun  In 1972, Waters recorded an "unplugged" rendition of the song, with Louis Myers on acoustic guitar and George "Mojo" Buford on unamplified harmonica. , The term "hoochie coochie", with variations in the spelling, is used in different contexts. On the seventh month seven doctors say  Numerous later Waters' official compilations contain it, such as Sail On; McKinley Morganfield a.k.a.
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